Marsh Hawk Review's Fall/Winter 2019 issue, edited by Thomas Fink, has just been released. You can see it HERE. Here are the participants:
Founded in 2001 as a poetry collective, Marsh Hawk Press has evolved into a self-sustaining publisher that prides itself on its authors’ involvement in every stage of the publishing process. Our books' forms and sensibilities assimilate modern and post-modern traditions of poetry and memoir but expand from these without political or aesthetic bias.
Saturday, October 26, 2019
Thursday, September 26, 2019
DAVID LEHMAN SHARES HIS "CHAPTER ONE"
David Lehman is the October poet to participate in Marsh Hawk's "Chapter One" project that shares how poets got their start. You can read his contribution HERE, but here's an excerpt:
At the University of Cincinnati, where I taught as the Elliston Poet in Residence, I was asked what advice I would give to young writers. I looked at the bright, eager faces in the room, and I said — I didn’t know I was going to say this, it was just what I felt at that moment – that they should remember that poetry is not life. That there will come a time when all of them will feel envy and resentment, because they didn’t get the job they deserved, or the award, or the recognition. There is no one is the poetry world who feels he or she has received the recognition they deserve. The question is: How will you deal with the bitterness and resentment? Because those things are the enemies of poetry. Those things are not real — not real in the sense that grief and love are real. Unfortunately, it’s all too easy to succumb to competitive envy. And that is why it is important to remember that poetry is not the whole of one’s life, but a part of it, and that we should not put too great a burden on the poetry that we love. Keeping it alive, poetry and the possibility of poetry, is the great thing.
Wednesday, September 25, 2019
MARY MACKEY AT HARVARD!
An invitation from Mary Mackey:
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Sunday, September 15, 2019
A REVIEW FOR MARY MACKEY!
Joan Gelfand reviews Mary Mackey's The Jaguars That Prowl Our Dreams: Collected Poems 1974-2018 over at Compulsive Reader! You can see the review HERE, but here's an excerpt:
Mackey is a magnificent thinker with broad passions: pagan cultures, literature, anthropology, ecology and history are subject explored in Jaguars. After graduating with her PhD from The University of Michigan in 1970, she arrived in Berkeley, California, and began publishing in earnest. Her first novel, Immersion, was recently re-released. An ecofeminist novel, which takes place in the jungles of Costa Rica, it is a portent of climate change.
Serious topics such as ecofeminism, history, and ecology might sound dry, but like many magnificent thinkers before her, Mackey is in full possession of a wild and wacky sense of humor that always puts her readers at ease. I’ll also say here that while her mind is magnificent and her interests broad, her work, while stunningly layered, is always accessible.
Tuesday, August 27, 2019
DANIEL MORRIS IN "CHAPTER ONE"
Daniel Morris, the latest contributor to Marsh Hawk's "Chapter One" series about writerly beginnings, presents a brutally--and admirably--honest essay entitled "Reading Spivack/Reading Myself." You are invited to read it HERE.
Sunday, August 11, 2019
Monday, August 5, 2019
FABULOUS REVIEW FOR MARY MACKEY
Congratulations to Mary Mackey for her PANK review of her The Jaguars That Prowl Our Dreams! You can see review HERE but here's an excerpt:
Mackey is a magnificent thinker with broad passions: pagan cultures, literature, anthropology, ecology and history are subject explored in “Jaguars.” After graduating with her PhD from The University of Michigan in 1970, she arrived in Berkeley, California, and began publishing in earnest. ...
Serious topics such as ecofeminism, history, and ecology might sound dry, but like many magnificent thinkers before her, Mackey is in full possession of a wild and wacky sense of humor that always puts her readers at ease. I’ll also say here that while her mind is magnificent and her interests broad, her work, while stunningly layered, is always accessible.
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